This section works as a creative lab where short pieces, language tests, works in progress, and mixed formats expand the overall reading of the portfolio.
It helps demonstrate versatility, technical curiosity, and a willingness to experiment without losing visual judgment or narrative direction.
“La Lámpara” is a short film created entirely using artificial intelligence tools at every stage of production. From script translation and adaptation to prompt engineering, the entire process was guided by AI. The actors are not human — they are digitally generated and adjusted images. Animations, sound effects, original music, and my own synthesized voice (yes, the rolled R’s are mine) were also produced with these technologies. Every detail reflects the potential of AI applied to art and audiovisual storytelling.
“Laldea”. In the late 1980s and early 1990s, a local newspaper accompanied its Thursday edition with a comics magazine featuring emblematic titles such as Nippur de Lagash, Savarese, and Mi novia y yo. It was through those publications that I discovered these masterworks, created by extraordinary talents like Paraguayan writer Robin Wood and Argentine artists Lucho Olivera and Guillermo Guerrero. The unmistakable aesthetic of those comics left a deep mark on me, and in this project I have attempted to recreate it using tools such as artificial intelligence.
“Plastilina PopRock” is a series of four reels in which, by applying various artificial intelligence tools, I simulated the aesthetic and characteristic movement of claymation to bring animated caricatures of iconic classic Argentine rock and pop artists to life. This project fuses nostalgia with innovation, reinterpreting major artists in a unique visual format that honors their legacy with a handcrafted, vibrant aesthetic — entirely generated digitally.
In addition to the animations, the ambient sounds were also generated with artificial intelligence, adding an auditory dimension that complements the visual experience. This project aims to transport viewers to those historic moments and offer a unique perspective on Tucumán’s past, connecting its rich history with the present through technological innovation.
“Old Tucumán in Motion”. Using historical photographs, I created videos that bring these images from the past to life through artificial intelligence. Each video is inspired by iconic photographs — such as the first Paganelli capture showing Plaza Independencia in the 19th century — recreating what the streets of that era might have felt like.
In addition to the animations, the ambient sounds were also generated with artificial intelligence, adding an auditory layer that complements the visual experience. This project aims to transport viewers to those historic moments and offer a unique perspective on Tucumán’s past, connecting its rich history with the present through technological innovation.
Art3D: Bringing Classic Art to Life.
In this series of reels, I use advanced editing techniques and digital tools to add depth and motion to iconic works of art. Each piece is transformed into a dynamic visual experience where paintings and sculptures appear to come alive, revealing details and perspectives that go unnoticed at first glance.
The goal of Art3D is to reimagine these timeless creations, allowing viewers to rediscover them in a novel and immersive way — connecting the artistic past with modern technology. A tribute to the great masters of art, now seen through a new dimension.
Panavision 70: Reimagining Worlds with Artificial Intelligence.
This project presents two audiovisual pieces that explore how artificial intelligence can recreate and transform familiar stories into alternative realities full of retro aesthetics and nostalgia.
The first reimagines “Los Simuladores,” the iconic early-2000s Argentine TV series, as if it had been produced in the 1970s. Here, AI not only helps capture the visual and sonic atmosphere of the era but also brings to life scenarios and details that pay homage to that golden age of entertainment.
The second piece, titled “Muchachos,” imagines the Argentine national football team lifting the World Cup trophy at a tournament from which, in reality, they were disqualified. From retro-styled uniforms and stadiums to a narration that blends emotion and fantasy, this video recreates what that impossible victory might have looked like.
Both works are an exercise in creativity and craft, combining AI tools with original scripts to offer a nostalgic and alternative journey that invites the viewer to dream about “what could have been.”
Fusing Argentine Rock and Creativity with Artificial Intelligence
This project presents two reels exploring the relationship between Argentine national rock and pop and the boundless creative possibilities offered by artificial intelligence, producing unique tributes through innovative techniques.
In the first, I expand and animate iconic Argentine album covers, transforming them into immersive experiences. These covers — part of the collective imagination of national music — come to life with depth and animation, revealing previously unseen details and offering a fresh perspective on these classic works.
The second reel is an animation inspired by the unmistakable style of Studio Ghibli, the renowned Japanese studio behind films such as My Neighbor Totoro and Spirited Away. In this reinterpretation, one of Soda Stereo’s most emblematic songs serves as the soundtrack for a visually magical story that blends elements of Argentine culture with the characteristic aesthetic of Japanese animation.
Both works are a tribute to music and art, produced with AI tools and original scripts — offering an innovative way to rediscover the cultural richness of Argentine rock.
What if the real protagonist was always the Renault 12? 🚗✨❤️🎬📺🇦🇷
The car that took us to the club, to school, to the park, and through life. Today it returns — as a movie and TV star.
A tribute to the most faithful companion of all.
Thank you for everything, R12. The Titanic. You were never an extra. You were always the lead.
Blade Runner Tucumán: What if it wasn’t the future, but a blurry memory?
🌧️🟠🌃
NOBODY.SAVES.THEMSELVES.ALONE.
The wave from El Eternauta covered every corner of Tucumán.
From my phone, I recreated all the districts as if the deadly snowfall had reached our land. An epic and silent postcard of the future we once imagined.
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